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Concerts featuring Concerto Köln in season 2024/25 or later
Leipzig was a musical hotspot in the 19th century, attracting prominent composers like Felix Mendelssohn Bartholdy. Pianist Olga Pashchenko and Concerto Köln explore the city's musical past, tracing connections between Mendelssohn, Robert Schumann, and Clara Wieck. Chopin also visited, praising Clara's piano playing and enjoying Schumann's hospitality.
What do we see in the mirror each morning? What do babies see when they first discover their reflections? Perhaps laughter, tired eyes, or traces of lost youth. We might perceive doppelgangers or strangers, or encounter faces old and new. Our soloist searches for her reflection and shadow in the concert hall, her oboe singing of passion, rage, and melancholy. She follows Handel's footsteps to London, eventually returning to present-day Cologne. There's much to hear and see for all ages!
What do we see in the mirror each morning? What do babies see when they first discover their reflections? Perhaps laughter, tired eyes, or traces of lost youth. We might perceive doppelgangers or strangers, or encounter faces old and new. Our soloist searches for her reflection and shadow in the concert hall, her oboe singing of passion, rage, and melancholy. She follows Handel's footsteps to London, eventually returning to present-day Cologne. There's much to hear and see for all ages!
What do we see in the mirror each morning? What do babies see when they first discover their reflections? Perhaps laughter, tired eyes, or traces of lost youth. We might perceive doppelgangers or strangers, or encounter faces old and new. Our soloist searches for her reflection and shadow in the concert hall, her oboe singing of passion, rage, and melancholy. She follows Handel's footsteps to London, eventually returning to present-day Cologne. There's much to hear and see for all ages!
What do we see in the mirror each morning? What do babies see when they first discover their reflections? Perhaps laughter, tired eyes, or traces of lost youth. We might perceive doppelgangers or strangers, or encounter faces old and new. Our soloist searches for her reflection and shadow in the concert hall, her oboe singing of passion, rage, and melancholy. She follows Handel's footsteps to London, eventually returning to present-day Cologne. There's much to hear and see for all ages!
What do we see in the mirror each morning? What do babies see when they first discover their reflections? Perhaps laughter, tired eyes, or traces of lost youth. We might perceive doppelgangers or strangers, or encounter faces old and new. Our soloist searches for her reflection and shadow in the concert hall, her oboe singing of passion, rage, and melancholy. She follows Handel's footsteps to London, eventually returning to present-day Cologne. There's much to hear and see for all ages!
What do we see in the mirror each morning? What do babies see when they first discover their reflections? Perhaps laughter, tired eyes, or traces of lost youth. We might perceive doppelgangers or strangers, or encounter faces old and new. Our soloist searches for her reflection and shadow in the concert hall, her oboe singing of passion, rage, and melancholy. She follows Handel's footsteps to London, eventually returning to present-day Cologne. There's much to hear and see for all ages!
Performed by the musicians of Concerto Köln and the Dresdner Festspielorchester under the direction of Kent Nagano, this Siegfried is the fruit of years of research into what would be a historically informed reading of Wagner’s operas.
Jetzt zieht er in die Welt: Der freie Held Siegfried soll wieder richten, was Wotan, der Göttervater, zu Beginn der Geschichte vermasselt hat. Endlich ist Teil drei von Wagners »Ring des Nibelungen« im Originalklang-Projekt von Kent Nagano zu erleben.Im Rahmen dieses Projekts (das ursprünglich unter der Überschrift »Wagner-Lesarten« bekannt wurde und in dem überhaupt die Idee zu einem Originalklang-Ring entstand und realisiert werden konnte und zwar mit großzügiger Unterstützung des Landes NRW und der Kunststiftung nrw) erkundet der entdeckungsfreudige Maestro gemeinsam mit Concerto Köln, dem Dresdner Festspielorchester und einer exquisiten Sängerschar fortgesetzt die historisch informierten Dimensionen der Tetralogie. Musikalisch beredt erzählen sie nun davon, wie Siegfried im Wald aufwächst, das Schwert Nothung neu schmiedet, den Drachen Fafner tötet, von diesem arglos den »Ring des Nibelungen« gewinnt, Wotans Speer zerschlägt und liebend die Walküre Brünnhilde erweckt.The Wagner CyclesEin Projekt der Dresdner Musikfestspiele Gefördert vom Kuratorium KölnMusik e.V.
The opening concert of this year’s International Bach Festival Hamburg will feature Carl Philipp Emanuel Bach’s Passion cantata »Die letzten Leiden des Erlösers«, written for Hamburg, performed in the Laeiszhalle by the ensemble Concerto Köln, which specialises in historical performance practice, and the Carl-Philipp-Emanuel-Bach-Choir. Together with the final concert on Easter Sunday, it forms the thematic arc of this Bach festival centred on the Passion and Resurrection.
The concert program "Mirrors" explores the same character from two mirroring perspectives. The arias depict key psychological moments of heroines like Agrippina and Cleopatra, set to music by Handel and Graun, among others. These works portray courageous, vulnerable, and passionate personalities. Soprano Jeanine De Bique, known for her bold performances, joins the specialist ensemble Concerto Köln in this musical exploration.
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